This video is one I took of Mike Herrera on the 27th April 2012. For anyone who doesn't know he is one of my all time heroes, and this was the first time I'd seen or heard him do anything solo acoustic before. I was blown away!! Not only was this hero doing something I had just started to do myself but he had this awesome re-working of one of my favourite MXPX tunes (we're talking top three here!!). I was so impressed that I don't think I had another topic of conversation for months after.

Feb Mike did a StageIT show, for those not tech savvy it's a way artists can do live shows and charge a small fee to see an acoustic show streaming over the web, like Skype specifically for musicians, I bought a ticket to
watch the show, but due to babies and sleep deprivation I missed it. Bugger!! what an opportuinty, but luckily for me Mike put it on his Bandcamp for download, I now own this acoustic album and it's great. Secret Weapon is the last track on there.

So today I was nicely notified that Mike has released another StageIT album, which again I paid to see and again I missed (show times at 00:00 because of the time difference). I went onto his bandcamp and listened to a bit of a few tracks and then just didn't bother with it anymore. An example of why is that once again Secret Weapon was there on the tracklist.
So let's round up that timeline: -
- 6/04/2011 - Live from the basement released on CD
- 12/03/2012 - Dying Scene sessions recorded
- 27/04/2012 - Mike plays a solo show at Banquet Records
- 11/08/2012 - Guitar Centre tracks recorded
- 4/02/2013 - StageIt show, recorded and released on Bandcamp
- date unknown - Live from the Basement released as digital album on Bandcamp
- 27/06/2013 - Mike Herrera Live released on Bandcamp
That's a lot of times that Secret Weapon has become available as an acoustic version. It makes me feel like
I'm being force fed something I used to enjoy but now I'm kind of fed up with. Self marketing over the internet has become a wonderful tool for artists, hell it's only way I get any exposure, but is Mike an example of someone who's gone too far? Should I be more grateful that I let to listen to Mike play stuff so often or was it better when I had to work to find gems like an official acoustic version of a song. When I was originally into MXPX 15 years ago I had to trawl every record store in London to find albums like Teenage Politics and Slowly Going the Way of the Buffalo. But now I can find whatever multiple times and I don't even need to do any effort to find it.
I'm being force fed something I used to enjoy but now I'm kind of fed up with. Self marketing over the internet has become a wonderful tool for artists, hell it's only way I get any exposure, but is Mike an example of someone who's gone too far? Should I be more grateful that I let to listen to Mike play stuff so often or was it better when I had to work to find gems like an official acoustic version of a song. When I was originally into MXPX 15 years ago I had to trawl every record store in London to find albums like Teenage Politics and Slowly Going the Way of the Buffalo. But now I can find whatever multiple times and I don't even need to do any effort to find it.
Am I just a fossil now reminiscing about trudging 30 miles in the snow for one Bad Religion album, and how it was better for me, or is there really an issue of over-saturation by artists we now have too much access to?
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